享有“作家之作家”美誉的博尔赫斯仅仅以短篇小说跻身二十世纪叙事大师的行列,这本身就是一个奇迹。博尔赫斯叙事风格的最大特点是最具有对传统套路的颠覆性,以时空关系的多维性和现实世界的多重构成演绎出迷宫一样的画卷,所以“迷宫”和“镜子”成了博尔赫斯小说中的常见意象。这里仅举博氏作品中比较短的《刀疤》为例,领略一下其叙述艺术的特异性,藉此管窥欧美现代派文学的魅力 It is a miracle in itself that Borges, who enjoys the title of “writer writer”, only ranks among 20th-century narrators by short stories. The most prominent feature of Borges’ narrative style is that it has the most disruptive effect on the traditional routines, deduces the maze-like picture with the multi-dimensional nature of the time-space relationship and the multiple compositions of the real world, so “maze” and “mirror” Became a common image in Borges’ novels. Just to cite the relatively short Scar in Beaujolais’s work as an example, take a look at the specificity of the narrative art to take a peek at the charm of modern European and American literature