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在杨万里的文学作品中,鲜有女性形象出现。在《诚斋集》中大量出现女性形象的,却是作为应用文的墓志铭。在此拟从墓志铭出发,考察在理学发展的时代背景之下杨万里的女性观。
There are few female images in Yang Wanli’s literary works. In “Cheng Zhai Collection” in a large number of female images, but as an application of epitaph. This article intends to proceed from the epitaph, examining Yang Wanli’s view on women in the context of the development of Neo-Confucianism.