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20世纪80年代,刘再复等人指出何其芳在1938年去延安参加革命工作后,在创作上存在着“思想进步而艺术退步的反差现象”。此论一出,几成定评,但也零星受到部分学者的质疑,曹凯指出刘再复误读了何其芳《散文选集·序》中的表述,何其芳并未自承“思想进步、艺术退步”的论点,从而动摇其立论基础。杨义、郝庆军则拒绝用固定的艺术标准来衡量作品,认为何其芳去延安后,只是艺术旨趣、风格及表
In the 1980s, Liu Zaifu and others pointed out that after He Qifang went to Yan'an to take part in the revolutionary work in 1938, there was a “phenomenon of contrast between ideological progress and artistic regression” in his creation. This theory came out, a few into a definite appraisal, but also sporadically by some scholars questioned, Cao Kai pointed out that Liu Zaifu misunderstood He Qifang “prose essay sequence” in the statement, He Qifang not self-sustaining “ideological progress, art Regress ”argument, thus undermining the foundation of its argument. Yang Yi and Hao Qingjun refuse to use the fixed art standard to measure work. He thinks that after He Qifang went to Yan'an, it is only the artistic interest, style and form