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当代艺术史的构成方式国际研讨会试图通过“自在之物”:乌托邦、波普与个人神学——王广义艺术回顾展,根据与会嘉宾不同的背景和经验,考虑对当代艺术有什么样的方式,可以把它构成。一方面就是以展览作为中心,就是当代艺术把它展示出来,或者把它作为一个总结,总结展览一个非常重要的渠道。或者进行解释是一种方式。另一方面是谈当代美术的构成问题,主要是通过书写,通过写作。形式多样,包括用历史的方式,或者编年的方式,或者说发展的概念。也有很多是理论的方式,概念的方式,批评的方式,有很多不同的说法。我们研讨的核心是用各种方式对当代艺术进行梳理、呈现与解释。
The International Symposium on the Composition of Contemporary Art History attempts to review the art retrospective of Wang Guangyi based on the different backgrounds and experiences of distinguished guests and on what kind of contemporary art Way, it can be made up. On the one hand, it is to show the exhibition as the center, that is, contemporary art shows it, or as a summary, summarize the exhibition is a very important channel. Or to explain is a way. On the other hand is to talk about the composition of contemporary art issues, mainly through writing, through writing. Various forms, including the historical way, or chronological way, or the concept of development. There are a lot of theories, ways of thinking, ways of criticism, there are many different opinions. The core of our discussion is to sort out, present and explain contemporary art in various ways.