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“写意”是中国绘画的艺术观,写意性是中国画的精髓之所在。对插图的写意性研究既是对中国画插图的研究。中国画插图是我国特有的插图类型,其写意性的表现是其他类型的插图所不能比拟的。如今,尽管插图的风格形式变得越来越丰富,但中国画类型的插图却日益减少,逐渐被西方绘画插图、摄影插图、数码插图等其他艺术形式的插图所替代。如何在新的时期传承和发展具有本国特色的中国画插图是一个新的挑战。
“Freehand ” is the artistic concept of Chinese painting, and the freehand is the essence of Chinese painting. The freehand study of illustration is not only a study of Chinese painting illustrations. Chinese painting illustration is our unique illustration type, its freehand performance is unmatched by other types of illustrations. Today, while the style of illustration becomes more and more rich, the illustrations of Chinese painting are diminishing and gradually replaced by illustrations of other forms of art, such as Western painting illustrations, photographic illustrations, and digital illustrations. How to inherit and develop the Chinese painting illustration with its own characteristics in the new period is a new challenge.