论文部分内容阅读
金文大篆书法具有极高的艺术性,故历来为书家重视,如米芾曰:“书至隶兴,大篆古法大坏矣,篆籀各随字形大小,故知百物之状,活动完备,各各自足。隶乃始有展促之势,而三代法亡矣。”黄宾虹道:“书画同源。自来言画法者,同于书法,金石文字,尤为法书所祖。考书画之本原,必当参究籀篆,上窥钟鼎款识。
Gold calligraphic calligraphy has a very high artistic, it has always been for the book home attention, such as Mi 芾 said: ”book to Li Xing, Da Zha ancient law is bad, Zhuan 籀 the size of the font, so that the shape of a hundred things, activities Complete, their own foot. Li is the beginning of the development and promotion of the potential, and three generations of law death carry on. “” Huang Bin Hsud: "calligraphy and painting of the same source of law, the same calligraphy, stone writing, especially law book Zu. The originality of the test painting, must be studied 籀 seal, peep Zhongding section of knowledge.