随着社会的发展,城市市民的自由度在逐步提高,对于精神的需求也在逐步加大,公众作为公共艺术的直接受益者,可以成为城市雕塑的发起者和决策者,直接参与到城市雕塑的决策、设计和建设过程中。但“由于在传统的计划经济体制和公有制一统天下的支配下,政府包揽一切,单位负责一切”的传统模式对公众的影响还没有完全消失。一方面公众对于参与公共艺术建设的意识依然薄弱,甚至还有很多人认为那是政府的事。另一方面,部分公众虽然已经意识到普通 With the development of society, the degree of freedom of urban citizens is gradually increasing and the demand for spirituality is gradually increasing. As the direct beneficiary of public art, the public can become the initiator and decision-maker of urban sculpture and directly participate in urban sculpture The decision-making, design and construction process. However, “due to the traditional planned economy and the domination of public ownership, the government has taken everything, the unit is responsible for everything.” The impact of the traditional model on the public has not completely disappeared. On the one hand, the public’s awareness of participation in the construction of public art is still weak. Many people even think it is a government issue. On the other hand, some members of the public are already aware of the ordinary