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中国作家张爱玲和法国作家玛格丽特·杜拉斯生活于同一时期,并且在各自国家都是极具个性的女作家,其作品也产生出相似的主体意蕴。两人在幼年都有母爱缺失的经历和体验。在艺术创作过程中她们颠覆传统,用文笔塑造了一个个丑陋罪恶的母亲形象,却在作品深处充满了对女性的关怀。本文探讨杜拉斯与张爱玲的“女性书写”之异同及二者在女性主义文学史上的意义,对其文学作品背后的社会价值与文化内涵深入解析。
Chinese writer Zhang Ailing and French writer Margaret Duras live in the same period, and in their own countries are highly individual women writers, their works also produce a similar main implication. Both have experiences and experiences of lack of maternal love at an early age. In the process of artistic creation, they subvert their traditions and create an ugly and evil mother image with their writing style. However, they are full of concern for women in the depths of their works. This article explores the differences and similarities between Duras and Zhang Ailing’s “female writing” and their significance in the history of feminist literature, and analyzes the social values and cultural connotations behind the literary works.