不同于早期的浪漫主义和中期的现实主义戏剧的追求真理、追求理想的旨意,随着人生阅历的丰富,晚期的易卜生开始怀疑个性反抗能否成功,怀疑个人理想能否实现,开始踏进他的第三个创作阶段:象征主义戏剧创作阶段。本文主要通过对“野鸭”的象征意义的分析,对易卜生的第一部象征主义戏剧《野鸭》进行解读,借以管窥易卜生后期象征主义戏剧的魅力。 Different from the pursuit of the truth of the early romanticism and mid-term realism drama, the pursuit of the ideal will, with the rich experience of life, late Ibsen began to doubt the success of individual resistance, wondering whether individual ideals can be achieved, began to tread Into his third stage of creation: Symbolism drama stage. In this paper, Ibsen’s first symbolism drama “Mallard” is analyzed mainly through the symbolic meaning of “Mallard ” in order to glimpse the charm of Ibsen ’s symbolism drama.