童年时期的嬉戏玩耍是很多人难以忘怀的记忆,它是我们心灵深处一块纯真的净土,从古至今就有许多的艺术家通过绘画的形式来重现儿童的生活状态,这类题材我们称之为婴戏题材,它在中国美术史中有着独特的地位,具有不可忽视的艺术魅力和价值。本文将浅谈下婴戏图的发展状况,并以苏汉臣的《秋庭婴戏图》为例,解析其作品画面情节及艺术特色,并通过这些理论的学习,总结下自己对工笔人物创作的实践和体悟。 The playfulness of childhood is a memorable memory for many people. It is a pure land in the depths of our hearts. Since ancient times, many artists have used the form of painting to reproduce the living conditions of children. Such themes are what we call them For the theme of the baby play, it has a unique position in the history of Chinese art, with undeniable artistic charm and value. This article will discuss the development situation of the play picture under the baby and take Su Hanchen’s “Qiu Ting Ying Xi Tu” as an example to analyze the plot and artistic features of her works. Through the study of these theories, I summarize my own practice of the creation of the fine brushwork And comprehension.