论文部分内容阅读
《樂府詩集·挽歌》的編纂受到《文選·挽歌》直接影響。郭茂倩不僅1録了《文選·挽歌》題下全部作品,還沿用其收録擬挽歌辭(不録贈獻類挽歌)的標準,用以指導魏晋以後《挽歌》編選。《文苑英華》與《樂府詩集》在唐代擬古挽歌入樂府這一觀念上具有共識,兩書對“挽歌”與“樂府”關係的重新認定,實與中唐時期文人擬挽歌創作融合古樂府筆法的詩史動態有關。魏晋南北朝至唐代,文人擬挽歌的創作模式由自挽抒情發展爲客體叙述,這一變化在《樂府詩集·挽歌》中得到反映。
The compilation of “Yuefu Poems · Elegy” is directly influenced by “anthology elegy”. Guo Maoqian not only recorded all the works under the title of “Selected Works of Elections and Elegies,” but also adopted the criteria of collecting diction and elegies (not giving sacrificial documents) to guide the elegy selection after the Wei and Jin Dynasties. “Court Yuan Yinghua” and “Yuefu Poetry” in the Tang Dynasty ancient elegy into the Yuefu concept has the consensus that the two books on the “Elegy” and “Yuefu” re-affirmed the relationship between the real and the Mid-Tang Dynasty scholars to elegy The integration of ancient Yuefu writing style of writing history of the dynamic. From the Wei, Jin, Northern and Southern Dynasties to the Tang Dynasty, the literary writers’ attempts to elect their songs were developed from the perspective of self-proclaimed lyricism to the narration of objects. This change was reflected in “The Poems of Yuefu”.