与他的小说一样 ,潘军的这个三幕九场话剧展现出强烈的形式感——地震过后的地下室 ,通过光线切割转换人物活动的场面 ,舞台音响光影效果的设计 ,男人与女人、老人与青年这样高度抽象的人物符号 ,充满谐趣和世情揭露的对话 ,男人与女人的戏中戏 ,等等 ,这一切“戏”的成分精致 Like his novels, Pan Jun’s three scenes and nine plays show a strong sense of formality - the basement after the earthquake, the scene of people’s activities through light cutting, the design of lighting and sound effects of stage sound, the relationship between man and woman, the elderly and Such a highly abstract character symbol of youth, full of fun and the world exposed the dialogue, the play of men and women in the play, etc., all these “opera” the composition of exquisite