抗战剧的热播引发社会关注特别是电视剧批评界的广泛关注。从抗战剧的评论实际看,我国抗战剧的批评主体主要包括四类人群,其一是学院派的专家学者,其二是部分抗战剧创作人员,其三是媒体工作者,其四是广大网民。批评的平台主要为学术期刊、大众媒介与网络新媒体。关于抗战剧评论,因其在电视上主要表现为即时点评,在网络新媒体上主要表现为网民的海量随感与情绪宣泄,本文将抗战剧的批评样本主要划定为学 The war on the war hit aroused widespread concern in the social concern, especially television critics. From the practical point of view of the anti-Japanese war drama, the main body of criticism of China’s anti-war drama mainly includes four groups of people: one is academic experts and scholars, the other is part of anti-Japanese war drama creations. The third is media workers. The fourth is majority of netizens . The platforms for criticism are mainly academic journals, mass media and online new media. As for the anti-war drama commentary, the criticism of the anti-Japanese drama was mainly classified as learning because of its immediate comment on television. It mainly manifested as massive casualness and emotional catharsis of the netizens on the network new media.