风雨是中国文学中常见的抒情意象,文人将风雨外化为内心情感的符号。而“凄风苦雨”是最为寻常的情感定位,因而风雨常化为悲凉无奈的符号,涵盖乡愁的浓重,理想的破灭,仕途的坎坷,前途的无望,喻示着文人内心的抑郁与悲凉、矛盾、痛苦。贾平凹的《风雨》一文,不仅让我们置身于狂风暴雨的环境中,更让我们感受到了作者面对人生风雨时的那份宁静致远与虚怀天下的淡然。一、长风吹林雨堕瓦——风暴雨骤 Wind and rain are common lyric images in Chinese literature, and the literati transform the storm and wind into symbols of inner feelings. However, “sadness and sadness” is the most common emotional orientation, so the wind and rain are often transformed into symbols of desolation and helplessness, covering the concentration of nostalgia, the destruction of ideals, the ups and downs of career and the hopelessness of the future, indicating the depression and sadness of the literati, Conflict, pain. Jia Pingwa’s “Storm” article not only exposes us to the stormy environment, but also makes us feel the tranquility and the indifference of the world in the face of the storm of life. First, the wind and rain falls into the rain - storm rain step