诗歌发展递至曹植时代 ,其中女性形象已三嬗其变 :《诗经》中女性外表装扮崇尚自然 ,内在心灵师法率真 ,可称为“自然的女儿” ;汉代诗歌中女性由外到内都浓重地打上人为雕饰的烙印 ,可称为“矫饰之女性”;曹植诗中女性外尚雕励而内崇自由 ,外执着于尘世之“物”而内执着于独立之“我” ,可称为“分裂型女性”。至此 ,女性形象由内外和谐走向分裂矛盾。但正是这种分裂与矛盾 ,可窥见新女性蝉蜕于旧时代的印痕与自我内在精神的觉醒 The development of poetry handed down to the Cao Zhi era, in which the image of women has been changed three times: “The Book of Songs” in the appearance of women dress up advocating nature, inner psychology teacher rate is true, can be called “natural daughter”; Han Dynasty poetry women from outside to inside Concentrate on man-made carved mark, can be called “female masculine”; Cao Zhi poems in women are still outside the carving and advocating freedom, the external persistent in the earthly “thing” and attached to the independent “I”, can be called As “split-type women.” At this point, the image of women from internal and external harmony to split the contradictions. However, it is this kind of division and contradiction that can reveal the awakening of the new female cicada in the imprint of the old times and the inner self