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笔者展开刊登在《天下》上的对1935-1936年国民政府应英国所邀赴英举办的伦敦中国艺术展览会及1936年高剑父于上海举办的春睡画院师生展相关文本的分析,试图为学界对这两个展览的深入考察提供一个可参考的原始材料和读解当时文艺思潮、政治理念、民风民俗的潜在文本。在本文中,笔者并无意对此两个展览会作全程的重现或解剖,而是力图解读文本所要传达的信息与观念,以求能与“其他部件”衔合出更为精致与鲜活的历史图景。
The author published in “the world” on the 1935-1936 National Government should be invited to Britain hosted by the British London Chinese Art Exhibition and in 1936 held by Gao Jian-fu in Shanghai, the Spring-and-Autumn Academy teachers and students related text analysis, Trying to provide a reference for the in-depth study of these two exhibitions by the academic circles and the potential texts of the current literary and artistic trends, political ideas and folk customs. In this article, I do not intend to reproduce or dissect the two exhibitions as a whole, but try to interpret the information and concepts that the texts want to convey in order to be able to be more refined with the “other components” Vivid historical picture.