画面款跋是文人画的重要元素。宋画大多无款,或者只是隐款、小款。元代前中期赵孟頫等人画作开始出现上款,但总体上没有大的突破。中后期,“元四家”等人的画款在内容、形式、风格等方面都别开生面,倪攒尤为突出。倪瓒,初名珽,字泰宇,后字元镇,号云林,别号懒攒、迁翁、荆蛮民、幻霞子、经锄隐者等等,江苏无锡人。其诗文被后人裒次为《清閟阁全集》。倪攒画作多有较长题款。吴升赞叹倪瓒《溪亭山色图》“诗款长题短咏参差书于画首,如花舞空中,鸿翩天外” Screen postscript is an important element of literati painting. Most of the Song Dynasty no money, or just hidden, small. In the early and mid-Yuan dynasty, Zhao Mengfu et al began to appear on the paintings, but there was no major breakthrough in general. In the late period, the paintings of “Yuan Si Family” and others were quite different in content, form and style, and Ni Zan was particularly prominent. Ni 瓒, the first name 珽, the word Thai Yu, after the character town, number Yun Lin, alias lazy save, move Weng, Jing Man, phantom Xiazi, hoe by the hoe, etc., Jiangsu Wuxi. His poetry was descendants times as “Qing Dynasty Pavilion Complete Works.” Ni Zan paintings and more long inscriptions. Wu Sheng praised Ni 瓒 “Xitingshan color map” "long section of poem paragraph chant poor book in the first painting, such as flowers and dance in the air,