数十年来,当代书法展览凝聚了越来越多的书法创作者,一方面推动了书法的群众化进程,一方面也将人们对书法的认识逐渐引向深入。人们也越来越认识到,参展的书法作品不全是功力和修养的凝结,其中也不乏速成和讹误。书作中的文字规范问题,作为考察参展者素养之一经常被反复提及。这的确是个引人深思的问题。 For decades, contemporary calligraphy exhibition has brought together more and more calligraphists. On the one hand, it has promoted the process of massification of calligraphy. On the other hand, it has gradually deepened people’s understanding of calligraphy. People are also more and more aware that not all the calligraphic works exhibited are the condensation of skill and accomplishment, and there are also many quick and incorrect corpses. The textual specification in the book is often repeatedly mentioned as one of the participants’ accomplishments. This is indeed a thought-provoking question.