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枚乘的《七发》开七体之先河,傅毅《七激》作为《七发》之后的第一篇仿作,产生于东汉初年,两者之间相隔长达两百年之久。继《七激》之后,七体才真正勃兴。傅毅拟《七发》作《七激》,虽然在文体形式、具体内容与写作风格上两者相类,但文章主旨意趣却大不相同。《七激》为后世七体创作确立了经典范式,这种范式不仅仅在于文章的形式结构和语言风格上,更是表现在招隐的主题与颂美的倾向上。
The first seven articles of the “Seven Senses” as a precedent to the “Seven Senses” were imitated and produced in the first years of the Eastern Han Dynasty, with an interval of up to two hundred years between them. Following the “seven shocks”, the seven body really booming. Fu Yi’s “Seven Senses” is the “Seven Senses”. Although the stylistic features, specific content and writing styles are similar, the main purpose of the article is quite different. The “Seven Senses” established the classic paradigm for the creation of the later seven generations. This paradigm lies not only in the formal structure and linguistic style of the essay, but also in the theme of soliloquing and the tendency of complimenting beauty.