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在越来越多日本推理小说被引进汉语图书市场后,有别于传统本格派的女性作家,相对的也就越来越受到瞩目。本来这类以“犯罪”为架构核心的通俗文学,长久来总被视为男性作者比创意、比圈套、比凶残的智力游戏,理由是侦探推理几乎都会有“谋杀”的命案当布局,然后为了故事情节的精彩度和悬疑性,设计出来的专业犯罪手法,实非女性作家所擅长。这般的论点从市场经验观之,倒也不算有错,但从推理小说界的女性作家日益茁壮,备受欢迎的情形来看,好评者必有其独特的风格,而且肯定有男性作者思路所不能及之处。纤细、敏锐、富于爱心,但容易流于情绪化……是褒也成,是贬亦罢,在此不做讨论。然若将这些女性与生俱来的特质,放进推理小说的领域之中,她们或不必在机关诡计上论高低,也无须于警匪对峙的枪战过程比输赢,但却一样会很吸引入,很有看头,何故?
After more and more Japanese reasoning novels were introduced into the Chinese book market, women writers different from the traditional Ben Ge school also got more and more attention. Originally, such popular literature centered on “crime” has always been regarded as a mental game of male authors over creativity and tricks because the detective reasoning almost always has a murder murder case When the layout, and then for the plot of the story of greatness and suspense, the design of professional crime tactics, really non-female writers are good at. Judging from the market experience, such argument is not wrong, but judging from the increasingly robust and popular female writers in the field of reasoning novels, critics must have their own unique style, and there must be a male author Can not think of the way Slender, sensitive, full of love, but easy to flow in the emotional ... ... is praised also become derogatory, no discussion here. However, if these innate qualities of women are put into the field of reasoning novels, they will either have to resort to bureaucratic tactics or shoot-and-win over police cops and confrontations, , Very worth seeing, why?