做了一年多的杂志主编,没写过主编语。因为觉得把一些未经沉淀的零星感受放大成一篇郑重其事的文章,再借此给每期杂志确定一个紧贴时事潮流的基调,本身并不是一件特别靠谱的事儿。到今天为止,《东方艺术·大家》杂志的“专题纸上展览”已经做了9期,这些纸上展览的集合,是编辑部的每位同事对自己过去一年辛勤工作的重新梳理与整合,也让我可以安心写一点东西来重新审视自己过去的工作。 Do more than a year magazine editor, did not write the main editor. It is by no means a particularly tricky thing to think that it is not in itself a matter of exaltation to amplify some unpolluted sporadic feelings into a solemn essay and then to give each magazine a tone that attaches to the trend of the time. As of today, the “Monograph on Paper Exhibition” of Oriental Art Magazine has been going on for nine periods. The collection of these on-paper exhibitions is a reorganization of the hard work of the editorial department for each and every one of his colleagues in the past year And integration, but also allow me to feel at ease to write something to re-examine their past work.