在中国歌剧80余年的历史中,曾出现过两次歌剧高潮,当年“万口传唱《北风吹》,处处皆闻《洪湖水》,哪个不知《刘三姐》,谁家不哼《红梅赞》”的盛况至今在许多人心目中记忆犹新。当然,自20世纪60年代之后,愈趋酷烈的政治运动、越来越“左”的文艺思潮和益发僵化的创作模式也使我国歌剧创作受到严重戕害,终在“文革”中遭遇灭顶之灾。 In the history of more than 80 years of Chinese opera, there have been two orgasms of opera, when “million mouth singing” the north wind blowing, “everywhere,” Honghu Shui “, which I do not know” Third Sister Liu, who do not hum “Hongmei Praise ”“ grand occasion so far in many people remember. Of course, since the 1960s, more and more vigorous political campaigns, more and more ”Leftist“ literary and artistic trends, and the inflexible mode of creation have also severely damaged the creation of opera in China and finally ended in the ”Cultural Revolution" Encountered the catastrophe.