中国画创作在最近二十年的变革与探索中,以色彩为突破口取得了令人称道的成绩,无论是工笔还是写意,在色彩方面与古代及近现代相比都已面貌不同。画家们积极学习借鉴西方绘画色彩理论和技法,并将其融合、渗入到中国画色彩语言中,成为有中国味道的色彩表现。从众多的作品中可以看到中国人对色彩的理解认识,以及运用色彩对情感的表达,色彩已经成为中国画孜孜追求的韵味、意境的有力表现手段。在当代名家作品及各展事获奖作品中,我们会发现许多画家的色彩趋向于灰色调,无论是冷灰色调还是暖灰色调都 In the recent two decades of reform and exploration, Chinese painting has achieved commendable successes by using color as its breakthrough point. Whether it is fine brushwork or freehand brushwork, the appearance of color differs from the ancient and the modern times in appearance. Painters actively learn from Western painting color theory and techniques, and their integration, infiltration into the color of Chinese painting language, a Chinese flavor of color performance. From a large number of works, we can see the Chinese people’s understanding and understanding of color, as well as the use of color to express their feelings. Color has become a powerful manifestation of the charm and artistic conception diligently pursued by Chinese painting. In the works of contemporary masters and the winners of various exhibitions, we find that many painters tend to be gray in color, whether they are cool gray or warm gray.