他的写意风格,既有传统的笔精墨妙、风雅蕴藉,更体现出了一种开拓性的现代审美精神。其作品在意境、气势、神韵等各方面,都达到了一种难得的精神高度。他在笔墨实验和意境营造上的成功,来自他能在遍学古人传统之后勤奋努力的成果。 His freehand style, both the traditional pen refined, elegant grace, but also reflects a pioneering modern aesthetic. His works in the mood, momentum, charm and other aspects, have reached a rare spiritual height. His success in pen and ink experiments and the creation of artistic conception came from the achievements he worked diligently after his study of the ancients’ traditions.