中国水墨动画短片创作有着相对繁荣的几个阶段和不少优秀而丰富的大师作品。本文立足于当代水墨动画短片的实际创作,提出有别于传统中国绘画的动画背景处理构想,如留白、折枝与疏密等。同时,说明矿物质颜色在背景设计中可采用“罩色法”进行上色应用。通过分析这些源自中国传统水墨画的创作技法,探索可以在水墨动画背景设计中体现中国传统审美的具体实现方法,并对中国水墨动画创作进行尝试与思考。 Chinese ink animation short film has a relatively prosperous stages and a lot of excellent and rich master works. Based on the actual creation of the contemporary animated short animation, this paper proposes the concept of handling the background of animation, which is different from the traditional Chinese painting. At the same time, indicating the color of minerals in the background design can be used “cover color ” for color applications. By analyzing these creative techniques originated from the traditional Chinese ink painting, this paper explores concrete methods of realizing the traditional Chinese aesthetic in the design of ink-and-brush animation background, and attempts and reflections on Chinese ink and wash animation creation.