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地方戏曲文化研究是中国戏曲研究倍受关注的领域,其学术价值与现实意义是不言而喻的。学术界对这一问题的研究,也是仁者见仁,智者见智。最近,福建省艺术研究院叶明生研究员新著《莆仙戏剧文化生态研究》(厦门大学出版社2007年5月版),给我们深入理解地方戏曲文化开辟了新的视角,也为研究当代中国地方戏曲文化的研究提供了诸多有益的启示。该书展现了作者多年来在深入地方戏曲、民间宗教和民俗文化调查研究中,对当前地方戏曲文化特别是濒临消失剧种等非物质文化遗产所凝结的深厚情感与思考。也是在当前国家提出非物质文化遗产保护工程决策下,较为系统地探讨地方戏曲文化生态方面的学术著作。
The study of local opera culture is a field that has drawn a great deal of attention in the study of Chinese opera. Its academic value and practical significance are self-evident. Academic research on this issue is also benevolent see the benevolent, the wise see the wisdom. Recently, Ye Mingsheng, a researcher at the Fujian Provincial Academy of Art, recently published a book entitled “Study on the Cultural and Ecological Study of Drama in Puxian” (Xiamen University Press, May 2007), which opens up a new perspective for us to understand the local opera culture. The study of opera culture provides many beneficial enlightenments. The book shows the profound feelings and thoughts that the author has condensed in the non-cultural cultural heritage of the local opera culture, especially on the verge of disappearing, in the in-depth investigation and study of local opera, folk religion and folk culture over the years. It is also under the current national policy of safeguarding the intangible cultural heritage, which systematically explores the academic works on the cultural ecology of local opera.