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清末民初新潮演剧与清中叶以降逐渐涌起的中国文化史上第二次演剧高峰出现有直接关系。演剧的舆情争议指向、市场化演剧机制的形成、跨界表演时尚等,直接催促了新潮演剧的兴起。新潮演剧接纳了新的演剧意识,探寻了趋时的表演经验,使其成为了探索中国近现代戏剧意识蜕变的绝佳鹄的。
There is a direct relationship between the trendy drama of late Qing Dynasty and the early Republic of China and the peak of the second drama in the history of Chinese culture which gradually ebbed and fell in the middle of the Qing Dynasty. Pointing to the controversy of public opinion in the drama, the formation of a market-oriented drama mechanism, and the cross-border performance of fashion, the rise of trendy drama directly aroused. The trendy drama takes on a new sense of drama and explores the experience of timid performance, making it an excellent place to explore the transformation of modern Chinese theater consciousness.