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郭祖荣艺术歌曲《红酥手》没有因袭三、四十年代轻车熟路的套子,而是站在时代的高度、探索和挖掘我国民间音乐的精神实质和美学特点。在音乐语言上、曲式结构上努力追求民族的神韵和精髓,那行云流水般变幻自由的散板风格,具有传统艺术中看似随意铺成、随意点染而又严谨、古典不乏创新之艺术构思,那诗意、浪漫如音画般的气质和无处不在、生息共存的简朴而又浓郁的民族风格,穿越了历史时空、成就了这千古绝唱。
Guo Zu Rong’s art song “Red Courgette” did not follow suit of the 1930s and 1940s, but stood at the height of the times and explored and explored the spiritual essence and aesthetic features of folk music in our country. In the music language, the music structure strives for the charm and essence of the nation. The free-flowing bulk board style with the flowing of clouds and clouds has the artistic conception of seemingly random paving, arbitrary point dyeing and rigor in the classical art, That poetic, romantic, such as picture-like temperament and ubiquity, live in a coexistence of simple and rich ethnic style, through time and space, the achievements of this eternal song.