论文部分内容阅读
中国歌剧的发展经历了三次高潮,随着社会的进步,人民对歌剧也有了新的定位和品位,这使得作家们创作出了许多富有时代特色和生活品位的作品,歌剧《江姐》就是在这种时代背景下创作出来的。该作品以中国民歌和传统戏曲的音乐元素为基础,借鉴欧洲歌剧创作方法,运用多种音乐手法,塑造了江雪琴、甫志高等生动形象的人物,尤其是江姐的形象更是深入人心。因此,本文着重从人物性格特征及音乐视角等方面对歌剧《江姐》进行深入剖析,力求透视作曲家赋予“江姐”的人物气质,对主题音调在刻画人物形象方面的具体实践操作予以描述和说明。
The development of Chinese opera has undergone three climaxes. With the progress of society, the people also have a new orientation and taste to the opera, which makes the writers create many works full of the characteristics of the times and the quality of life. The opera “Jiang Jie” Created under the background of this age. Based on the musical elements of Chinese folk songs and traditional Chinese operas, this work draws on the methods of European opera creation and uses a variety of musical techniques to create a vivid image of Jiang Xueqin and Fu Zhi. In particular, the image of Jiang Jie is deeply rooted in the hearts of the people. Therefore, this dissertation focuses on the analysis of operas “Jiang Jie” from the aspects of character and music perspective and tries to find out the character and temperament given by the composer to “Jiang Jie” and the concrete practice of the theme in characterization Describe and explain.