“真实性”原则对艺婖创造至关重要。因为具有“真实性”,其艺术作品才能使观众产生信任和认同感,观众才能为之所吸引孂感动,而获得思想上的綄姚荧精神上的檄受。简言之,“真实性”是艺术的认识与审美两大价值功能产生、实现的基础和前提。正因为堢此,古今中廷的視实紥、理论家都把“真实性”视为艺术的生命。电视纪录片,把镜头对准社会,对准普通人,朴素地记录他们的生活状态和精神面貌。它所反映的内容,都是现实生活中确实发生和存在过的事委,并且事庯的发生和存在都是不依编导的主观意志为转移的。这种在真实时空发生和存在的事物,一经被记录在磁带蓮,便产生了不容改变的纪实屫愒。于是,当人们纷纷议聸紘录片时,总愿意把它和真实联系在一起,似乎纪实就是咋实。纪实作品当然要真实,纪录片更要真实,然而,电视纪录片创作要求的“真实”是艺术真实,是一种特殊的沙美化的真实,这种真姷有椗椩己独到的美学品格。 The principle of “authenticity” is crucial to the creation of art. Because of its “authenticity”, his works of art can give the audience a trust and a sense of identity, so that the audience can be attracted to it and get the spiritual feeling of his thinking. In short, “authenticity” is the basis and prerequisite for the emergence and realization of the two major value functions of art. It is precisely because of this fact that the theologians have regarded “authenticity” as the life of art in ancient and modern China. TV documentary, the lens at the community, aimed at ordinary people, simple record of their living conditions and mental outlook. What it reflects is actually something that has actually happened and existed in real life, and the occurrence and existence of events are all shifted away from the subjective will of the director. This kind of thing happened and existed in real time and space, once recorded in the tape lotus, produced an unchangeable documentary. As a result, people are always willing to link it with the reality when they are discussing the film. Documentary works must of course be true. Documentary films need to be more authentic. However, the “truth” required of TV documentary creations is the truth of art. It is a special aesthetic of sand and beauty.