20世纪80年代中期,在国内外文化碰撞的背景之下,方方创作中潜伏的存在主义因素在涌动的存在主义思潮影响下全面显现,成为一种创作倾向、一种中国化的演绎与发展。方方小说由此开始具备了相对稳定、冷峻的创作风格。其作品呈现了存在主义思潮下思索当下芸芸众生生存原态的一些显在的表现特征。通过方方小说“三白”(《白梦》、《白雾》、《白驹》)、“一黑”(《黑洞》),揭示其第一个显在特征———无奈的白色世界、冷酷的黑色感觉。 In the mid-1980s, under the background of cultural collisions both at home and abroad, the latent elements of existentialism in Fangfang’s works emerged under the influence of surging existentialism and became a kind of creation tendency, a kind of sinicistic deduction development of. Fangfang novels thus began to have a relatively stable, solemn style of creation. His works present some obvious characteristics of expression in the survival of the mortal creatures under the existentialism. Through the novel “Three White” (“White Dream”, “White Fog”, “Bai Ju”) and “One Black” (“Black Hole”), the first obvious feature in the white world , Cold black feeling.