中国古诗中拟声词的翻译一直都是文学翻译中的重点和难点之一。以许渊冲“三美”之说为切入点,在分析多首古诗译文的基础之上,本文提出有关拟声词的三点翻译策略:为声而音,为形而音,为意而音。以上翻译策略将有助于译者在翻译过程中再现古诗中拟声词的魅力,从而达到音美,形美和意美的和谐统一。 The translation of onomatopoeia in ancient Chinese poetry has always been one of the key and difficult points in literary translation. Based on the analysis of many translations of ancient poems, this article proposes a three-point translation strategy of onomatopoeic words: sound and tone, shape and tone, meaning sound. The above translation strategies will help the translator to reproduce the charm of onomatopoeia in ancient poetry in the process of translation so as to achieve the harmony and unity of tone beauty, shape beauty and beauty.