论文部分内容阅读
中国长期以来的“易卜生热”在许多机缘上契合了中国社会的现实与渴望,其影响远远超越了戏剧本身。易卜生在中国的接受与影响取决于不同时期人们的选择性接收与期待视野。从“易卜生主义”到“非易卜生主义”实质是中国文化生态的更迭。随着文化语境的变化,“易卜生热”的“冷思考”不无积极作用。
China’s longstanding “Ibsen fever” has, on many occasions, been in line with the reality and aspiration of Chinese society, far beyond the drama itself. Ibsen’s acceptance and influence in China depends on people’s selective reception and expectation horizon in different periods. From “Ibsenism ” to “non-Ibsenism ” essence is the change of Chinese cultural ecology. With the change of cultural context, “cold thinking ” “Ibsen hot ” is not without a positive effect.