1982—1983年度优秀剧本评选结束了,共有二十四部作品获奖。作为热爱戏剧的观众,我对这事儿挺关心。记得上届剧本评选的获奖作品是七十多部,这次一下子此上届少评了一半还多。我认为这绝不意味着这两年的好作品少了,质量比过去差了,而是评选者为了真正达到评奖的效益,提高评选工作的威信,掌握评选标准更严格了,更实事求是了。评奖活动不搞平均主义,不吃大锅饭,体现了改革的精神,应该被看成是一个很大的进步,我衷心拥护。但是,我认为即使是现在的二十四部,也还 The 1982-1983 year outstanding script selection ended, a total of 24 works won the award. As a theater-loving audience, I am very concerned about this matter. I remember winning the last screenplay award-winning works is more than 70, this once again less than half of the last review. In my opinion, this in no way means that there have been fewer good works in these two years and the quality is worse than in the past. Instead, the contestants, in order to truly achieve the effectiveness of the award, raise the prestige of the selection work and grasp the selection criteria more rigorously and more truthfully. The failure to promote egalitarianism, failure to eat big pots, and reflect the spirit of reform should be seen as a great progress and I sincerely support it. However, I think even the current 24, also still