郭沫若在建国前后的作品所体现的反差巨大,从大胆张扬到僵化俗套,成为当今读者与研究者对他评价的重要方面之一,并形成了“天才诗人”与“无耻文人”两个极端。而导致建国后其作品几乎毫无文学性可言的原因与他的高位、政治、执政者以及时局存在“牵一发而动全身”的密切关系。于郭沫若而言,在其位而谋其职,居其高位而备受其寒。 The contrast between Guo Moruo ’s works before and after the founding of the People’ s Republic of China was enormous. From boldness to publicity, he became one of the most important aspects for readers and researchers to evaluate him. And he formed a “genius poet” and “shameless scholar” Two extremes. The reason why his works have almost no literary meaning after the founding of the People’s Republic of China is closely related to his high position, politics, the rulers and the current situation. In Kuo Mo-jo’s case, his place of office and his place of work, ranking high and subject to its cold.