本文首先对《红杏青松图》、《训鸡图》做了简单回顾,对《牡丹图》作者为谁提出疑问,提出创作背景和创作意图为何,并对该画作者进行论证,证明作者是清代宫廷画师魏云机,然后对那个时代创作花卉画作与儒、佛思想背景是否契合做了简述,结合社会、宗教背景给作品定位。最后,对画作创作的宗教以及文化价值进行分析,并做了简单梳理和述评。 This article first makes a brief review of “Red Pine and Pine Map” and “Training Chicken Map”, and questions who the author of “Peony Figure” is, puts forward the creative background and creative intent, and demonstrates the author as proof that the author is Wei Yunji, a court painter in the Qing Dynasty, made a brief introduction on whether or not the flower paintings of that era matched with the background of Confucianism and Buddhism, and combined the social and religious backgrounds to locate the works. Finally, it analyzes the religious and cultural values ​​of the paintings and makes a simple review and comment.