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在当代文学史上,宗璞的小说创作很具有个性化的艺术特色,尤其是“兰气息,玉精神”的内蕴质素,获得了学界普遍的好评。在小说《南渡记》中,宗璞以深厚的古典文化底蕴和温婉隽永的文笔勾画出了一幅战时的逃难图景,以及文化知识人的各种精神状态和存在万象,具有鲜明的历史感和艺术表现力。笔者将从两个方面来探讨其审美风格,在艺术内容构塑上体现出了“流亡意识”的潜在心理,是特定时期“情感结构”的表达;在文体特色上具有诗性之美的风格。同时,从悲剧意识的角度来审视和探讨其美学风格缘何缺乏一种张力。
In the history of contemporary literature, Zong Pu’s novel creation has very individualized artistic features, especially the intrinsic qualities of “blue spirit and jade spirit”, which have won universal acclaim from academic circles. In the novel “Nandu Ji”, Zongpu delineated a picture of the wartime escaped in the wartime with his profound classical culture and gentle and gentle writing, as well as various mental states and vieques of cultural knowledge people, A sense of history and artistic expression. The writer will explore its aesthetic style from two aspects, and embody the latent psychology of “exile consciousness” in the composition of artistic content, which is the expression of “emotional structure” in a certain period of time and poetic The beauty of the style. At the same time, from the perspective of tragic consciousness, we can not examine and discuss the lack of tension in its aesthetic style.