《琳丽》和《心曲》分别是白薇和杨骚作于1920年代的诗剧,它们在人物关系的设置、主体情感历程、情境结构及意象等方面存在着诸多对应之处,构成多层次的对话关系,上演了一出与《昨夜》相伴的“活情书”戏。两部作品的对话实质上是创作主体之间的对话,作品也因为通过梦境、幻象、变形、象征等手段将主体的内心隐秘、潜在矛盾、人格分裂具象化而具有了表现主义色彩。 “Lin Li” and “Xin Qu” respectively are the poetry plays made by Bai Wei and Yang Sao in the 1920s. They have many correspondences in the setting of personal relations, the emotional course of the subject, the contextual structure and the imagery, which form a multi-level The dialogue relationship, staged a “night” accompanied by “Love Letter ” drama. The dialogue between the two works is essentially a dialogue between the main body of creation, and the work also has the expressionism color because of the visualization of the inner secrets, potential contradictions and personality division of the subject through such means as dreams, phantoms, deformations and symbols.