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本文立足跨文化视角,聚焦英国现代主义作家哈罗德·阿克顿的自传《一个审美者的回忆录》和中国题材小说《牡丹与马驹》,剖析阿克顿中国叙事的三个层面:胡同里的西方唯美者、博物馆化的中国形象、文化异位空间中的心灵顿悟,揭示欧洲与中国、现代欧洲文明危机与古典中国救赎、博物馆化的唯美中国与中国现代文化和思想涅磐之间的文化异位空间中,西方现代主义文化主体哈罗德.阿克顿的现代文明焦虑和跨文化审美追求。
Based on the cross-cultural perspective, this thesis focuses on the autobiography of Harold Acton’s biographical memoir of a modernist and the Chinese theme novel Peony and Colt, and analyzes the three aspects of Acton’s Chinese narrative: alley Western aestheticism in museums, the Chinese image of museums, the spiritual epiphany in the cultural ectopic spaces, revealing the crisis between Europe and China, the crisis of modern European civilization and the classical Chinese salvation and museumization between the aesthetic China and the Chinese modern culture and Nirvana In the cultural ectopic space, Harold Acton, the main body of western modernism, pursues his modern civilization anxiety and intercultural aesthetics.