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(一)春城二月,茶花似锦。第三届中国艺术节于元宵佳节开幕。10多个展览、演出场所焕然一新。身披彩带的服务小姐,列队恭候中外观众入场。少数民族绚丽夺目的歌舞和丰富多彩的戏剧,使中外观众大饱眼福。我有幸逢此盛会,畅游少数民族歌舞的海洋,更迷恋少数民族戏剧的艺术世界。我国少数民族戏剧,一向分为两个组成部分。其一是各少数民族特有的剧种艺术,她分为戏曲型、歌剧或歌舞剧型、傩戏型、话剧型和舞剧型。这届艺术节的演出,戏曲型的有云南大理自治州的白剧《阿盖公主》、德宏自治州的傣剧《老混巴(鱼王)与小混巴》《傣乡情》、文山自治州的富宁壮剧(俗称土戏)《白云村姑》;歌舞剧型的有彝剧《双叩门》、
(A) Spring City in February, camellias. The 3rd China Arts Festival opens in Lantern Festival. More than 10 exhibitions, performance venues a new look. Wearing a ribbon service lady, lined up waiting for Chinese and foreign audience admission. Ethnic gorgeous eye-catching dance and colorful drama, so that Chinese and foreign viewers feast for the eyes. I was fortunate enough to meet this grand occasion and enjoy the ocean of song and dance of ethnic minorities. I was even more fascinated by the art world of minority drama. The minority drama in our country has always been divided into two parts. The first one is the unique drama art of all ethnic minorities. She is divided into opera type, opera or song and dance genre, opera type, drama type and dance genre. This session of the festival performances, drama type of Yunnan Dali Autonomous Prefecture of the white play “Princess Agaye”, Dehong Autonomous Prefecture of the Dai drama “old mixed Pakistani (fish king) and small mixed” “Dai nostalgia”, Wenshan Autonomous Prefecture Funing Zhuang drama (commonly known as soil play) “Baiyuncun”; song and dance drama of Yi drama “double knock”