男高音作为美声唱法的一个重要声部,从十九世纪以来受到越来越多的声乐理论工作者的关注。由于男生特有的生理特点,决定了男高音在教学上相对于其他声部来说难度更大,男高音共鸣调节方面所面临的问题也比较多。本文在对作者自身的演唱及教学经验的总结基础之上,进一步提出了美声唱法男高音共鸣的特点和调节的原则,旨在为广大声乐教育工作者提供一些参考,并引起其他声乐工作者的讨论,从而使作者自己对这一问题的认识更加深化。 An important part of the tenor, as the vocal method, has received more and more attention from vocal music theorists since the nineteenth century. Due to the unique physiological characteristics of boys, it is more difficult to teach the tenor than other parts in teaching, and there are also many problems in the adjustment of the tenor resonance. Based on the author’s own singing and teaching experience, this paper further puts forward the characteristics and adjustment principles of the vocal resonance of the vocal song in the United States, aiming at providing some references for the vocal music educators and causing other vocal music workers Discussion, so that the author’s own understanding of this issue deepened.