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综艺节目层出不穷,让观众、网民应接不暇。自2014年真人秀节目爆发以来,2016年国内史无前例的400档真人秀节目再创新高,在这种“大乱炖”式的轰炸下,观众网民们也是眼花缭乱,逐渐开始审美疲劳。在真人秀繁荣背后,躁动日益凸显。这种审美疲劳,无异于来自两个方面:一,各种类型的真人秀太多,观众的可选择性变得更加自由,对于节目各个层面的要求也越来越高;二、从部分节目制作来
Variety show after another, so that the audience, Internet users overwhelmed. Since the 2014 reality show broke out, the unprecedented 400 reality shows in China hit a new high in 2016. Under this kind of “chaos” bombing, the audience netizens are dazzling and gradually begin to experience aesthetic fatigue. Behind the reality show prosperity, agitation is increasingly prominent. This kind of aesthetic fatigue is tantamount to come from two aspects: First, too many types of reality shows, the audience becomes more freedom of choice, for all aspects of the program requirements are getting higher and higher; Second, from some programs Produced