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我爱拍荷花,更喜爱拍其“含苞欲放”的特写(图一)。我使用210毫米镜头以最大光圈对一朵藏在荷叶后面的花苞调焦,得到的效果是:花实,花瓣的纹理清晰,似工笔勾勒;叶虚,其脉络呈辐射状隐约可见,似泼墨写意。一虚一实,虚者大,几乎占据了整个画面,只为陪衬;实者小,寄于一隅,却成为画面的视觉中心。这种虚实结合的手法增强了小画面的空间感。从色彩而言,绿底红花,好似荷塘的缩影。
I love to shoot lotus, more like to shoot its “Hanbaoyu Fang” feature (Figure 1). I use a 210-mm lens to the maximum aperture of a flower hidden behind the lotus leaf focus, the effect is: flowers, the petals of the texture is clear, like a pencil outline; leaf-shaped, its veins radiating vaguely visible, Splash ink freehand. An imaginary, virtual large, almost occupy the entire picture, only to foil; real small, send in a corner, but become the visual center of the screen. This combination of actual situation and enhanced the feeling of small space. From the color terms, green safflower, like a miniature Hawthorn.