近来,随着《致青春》的热映,整个社会都沉浸在关于青春的无限回忆中,激起了各个年龄段对青春的思考。当代文化是以影像为中心的感性主义形态,已然日益脱离了以语言为中心的理性主义形态。伴随着数字新媒体以及网络技术的迅猛发展,作为切入当代文化的有效载体的影像艺术,遭遇了青春,二者一并参与构建了中国当代文化的整体语境和时代表征。影像,之于青年一代,已成为了青春岁月的现实佐证,年轻人的创意和非凡的想象力融入到影像作品中,在光影和色彩的交叠中,可以纪录并找寻 Recently, with the rehearsal of “youthfulness,” the entire community is immersed in the infinite memory of youth, provoking the reflection of youth in all age groups. Contemporary culture is an image-centric form of sensitivism, which has gradually departed from the language-centered rationalism. With the rapid development of digital new media and network technology, video art, as an effective carrier of cutting into contemporary culture, has encountered youth. Both of them are involved in constructing the overall context of contemporary Chinese culture and the symbol of the times. Imagery, for the younger generation, has become a factual evidence of youthful age. Young people’s creativity and extraordinary imagination are incorporated into video works, where they can be recorded and searched for in light and shade.