关于中古时期墓葬中的复古现象已经有学者关注。巫鸿在《中国艺术和视觉文化中的“复古”模式》~①中系统论述了“复古”的起源、再造“古人之象”、复古的语境、对往昔的“历史化”、“意图”的模式。巫鸿指出墓葬中的复古早至商都殷墟附近的三座墓葬出土古典风格的青铜器;并将体现复古的意图归纳为四种模式,其中与中古时期相关的两种模式是与儒家学说的紧密关联和不断出现的复古与“华化”的联系。针对北朝时期汉代葬俗的复兴, Some scholars have concerned about the retro phenomenon in the tombs in the Middle Ages. Wu Hung systematically discusses the origin of “retro” and recreates “the image of the ancients”, the retro context, the past “retro ” mode in the “Chinese art and visual culture ”Historic“, ”Intention“ mode. Wu Hung pointed out that in the tombs, as early as three ancient burials unearthed near the Shangdu Yin Ruins, the bronze ware of the classical style was unearthed. And the four types of patterns were reflected in the intention of the restoration of ancient tombs. The two patterns related to the Middle Ages were closely related to Confucianism And the emergence of retro and ”Huahua " link. Aiming at the revival of funeral custom in the Han Dynasty during the Northern Dynasties,