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湖北大鼓是湖北最具代表性的曲艺艺术之一,在民间具有深厚的群众基础。湖北大鼓的历史大致可追溯到清道光末年,鼓书艺人丁海洲由山东经河南来湖北武汉献艺授徒,迄今已有七、八代师徒历程。从最初的表演者自击板鼓演唱,到后来加入管弦乐器伴奏,湖北大鼓的艺术表现力日益丰富,伴奏成为表演不可或缺的重要组成部分。然而同其他很多地方曲种一样,在传统曲艺传承面临诸多困难的当下,伴奏人才紧缺的问题在湖北大鼓传承中显得尤为突出,伴奏资料的整理研究也几乎处于空白状态。因此,本文拟对湖北大鼓中主要伴奏乐器二胡的伴奏类型及艺术规律做粗略的梳理探讨。
Hubei drum is one of the most representative folk art in Hubei, with a strong mass base in the folk. The history of Hubei drums can be traced back to the Qing dynasty, the drum artist Ding Haizhou from Henan by Henan to Hubei Wuyi Xiangyu apprentice, so far has seven or eight generations mentoring process. From the initial percussion drums percussion, and later joined the orchestral accompaniment, Hubei drum increasingly rich artistic expression, accompaniment as an indispensable part of the performance. However, like many other places, the traditional troupe inheritance faces many difficulties. The shortage of accompanist talent is especially prominent in the inheritance of Hubei drums. The compilation of accompaniment data is almost in the blank. Therefore, this article intends to make a brief discussion on the accompaniment types and artistic rules of the major accompaniment musical instruments in Hubei drums.