王夫之非常重视情感在诗歌创作中的作用,认为诗歌的基本特点就是表现情感。但王夫之身处明末清初之际,家国覆亡之痛,民族罹难之苦,再加上宋明理学的影响,时代思潮之激荡,使作为伟大哲学家和杰出文学批评家的王夫之关于诗歌情感的思想有着不同于一般的理解。天——性——情——欲,这是王夫之性情观的逻辑结构。他把诗情分为白情与匿情、贞情与淫情、裕情与惉滞之情、私情与道情。民众之“情”关系到国家的兴衰存亡,这是王夫之总结历史得出的教训,也是他反对匿情、私情、惉滞之情、淫情,倡导白情、道情、裕情、贞情的诗情观的根本原因。 Wang Fuzhi attaches great importance to the role of emotion in the creation of poetry. He believes that the basic characteristic of poetry is the expression of emotion. However, as Wang Fuzhi lived in the late Ming and early Qing dynasties, the pain of the country’s demise, the suffering of the nation, combined with the influence of the Song and Ming Dynasties and the stirring of the times thought made Wang Fuzhi, a great philosopher and distinguished literary critic, Emotional thinking is different from general understanding. Heaven - Sex - Love - For, this is the logical structure of Wang Fuzhi’s sexual outlook. He divides poetry into white and antecedents, virginity and prostitution, love and indifference, personal love and truth. The “love” of the people has a bearing on the rise and fall of the country. This is the lesson learned by Wang Fuzhi in his concluding history. He is also opposed to the situation of animosity, selfish feeling, stagnation, adultery, advocacy of white love, The basic reason of the view of poetic sentiment.