传统绘画受老庄哲学影响 ,重意轻象。故把得意忘形、纯任自然作为绘画的最高境界。本文对“意象”与象的关系进行剖析 ,便于我们在中国绘画发展与完善的过程中更好的来把握绘画的主导精神。 Traditional painting is influenced by Lao Zhuang’s philosophy and pays attention to light image. Therefore, I am proud, pure nature as the highest level of painting. This paper analyzes the relationship between “imagery” and “imagery” to help us better grasp the dominant spirit of painting in the development and improvement of Chinese painting.