诗歌应是缘政而发的评价性话语,诗人则公心道义之所寄,并无自身之特殊利益。由毛诗学拭明的这颗诗心极为深刻地体现了儒者卫道救时的使命、代言天下的话语立场,以及切关时政之需的实践精神。毛诗学的复兴发生在魏晋以来的审美文化语境下,以及宋明理学和乾嘉学术史的末端,十分深刻地切中了儒学空疏乏术的症结。在文化史上,儒学代变,而儒家道义精神却有时而晦,正有赖于汉学包括毛诗学—文学话语的复兴保存了一线生机。 Poetry should be evaluated discourse made by the government, poets are impartial morality sent, there is no self-special interests. This poetry, which is swallowed up by Mao Poetry, exemplifies the Confucian mission of defensive aid and rescuing, the discourse of endorsement of the world, and the practical spirit required by the government. The revival of Mao poetics took place in the esthetic and cultural context since the Wei and Jin Dynasties, as well as the end of the academic history of Song and Ming Dynasties and Qianjia and profoundly cut off the crux of Confucianism and empty emptiness. In the history of culture, while Confucianism was replaced and the morality of Confucianism was sometimes obscured, it was due to the fact that the revival of literary discourse, including Sinology, Mao Zedong and Mao Zedong, preserved a glimmer of vitality.