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前不久,为一帮去新西兰写生创作的画家朋友们做展览的学术主持,看到他们的画作大都涂满了群青、普蓝和湖蓝,再读他们的创作随笔,才知晓他们去新西兰最大的感受颇有些像到了中国的青藏高原,是天蓝水蓝,到处云白光洁。为了这种纯净的蓝天白云,他们不惜用从锡管里直接挤出的各种蓝色来表达他们对天地大美的赞叹。但令人遗憾的是,当这些画作汇聚起来展陈时,却那么地缺少油画意蕴。你想象不出,这帮不乏油画名家的兄弟们在这样面对大自然的写生中,竟然迷失了有关油画色彩艺术的
Not long ago, a group of painters and friends who went to New Zealand to create sketches made academic appearances and saw that most of their paintings were painted with ultramarine blue, blue and blue, read their essays and learned that they went to New Zealand Feel quite a bit like to the Qinghai-Tibet Plateau of China, sky blue, blue and white clouds everywhere. For this pure blue sky and white clouds, they did not hesitate to express their admiration for the beauty of the world with the various blue colors directly extruded from the tube. However, it is regrettable that these paintings lack the meaning of oil painting when they come together in the exhibition. You can not imagine that no shortage of oil painting masters brothers in this face of nature’s sketching, even lost the art of oil painting color